Netflix's high-end global telefantasy: Conspicuous and virtual localism

被引：0

作者：

Lynch, Andrew ^{[1
,2
]}

Albarran-Torres, Cesar ^{[2
]}

机构：

[1] Swinburne Univ Technol, Dept Media & Commun, Cinema & Screen Studies, Melbourne, Vic, Australia

[2] Swinburne Univ Technol, Media & Commun, John St, Hawthorn 3122, Australia

来源：

CRITICAL STUDIES IN TELEVISION | 2025年 / 20卷 / 01期

关键词：

Netflix; telefantasy; streaming; genre; horror; science fiction; transnational high-end TV drama; TELEVISION;

D O I：

10.1177/17496020241257808

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

Netflix has commissioned and released an increasing number of high-end international series that tap into the genres of science fiction, fantasy and horror. These follow one of two strategies: (1) local productions that engage with local folklore and myths, or (2) productions centred in the 'West', where international talent is brought in to create cosmopolitan 'global' TV events such as 1899 (2022). The first strategy brings together local storytelling with a globally appealing packaging. The second strategy risks reducing 'transnational' production to a few tokenistic stars and narratives which are ultimately from everywhere and nowhere at the same time.

引用

页码：73 / 92

页数：20

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